wash drawing
英 [wɒʃ ˈdrɔːɪŋ]
美 [wɑːʃ ˈdrɔːɪŋ]
淡彩画
英英释义
noun
- a watercolor made by applying a series of monochrome washes one over the other
双语例句
- In the history of Shaanxi folk art, the extensively applied modeling elements of flowers and birds of characterizing, although differ from the expression form of court paintings and that of wash drawing, share the same pattern origin with each other.
陕西民间自古以来大量运用的富于特色的花鸟造型元素，不同于宫廷美术与文人水墨画的表现样式，但他们之间也有相同的图式渊源。 - Basic Art Characters and Graphical Simulation for Chinese Ink Wash Drawing
中国水墨画的基本艺术特征及其计算机仿真实现 - Editor: Did you use ink and wash to drawing the background character?
艺术经纬：你下面的背景人物也是水墨的吗？ - In order to simulate the real and particular effect of Chinese Ink Wash Drawing, a new simulation approach based on physical modeling is presented.
为了更真实地模拟中国水墨画的独特艺术效果，提出了一种全新的基于物理建模的仿真方法。 - A controllable physical paper model was built to imitate the real Fibre network of Xuan, based on which the simulation process of ink diffusion functions was implemented to achieve the real effect-simulating of Chinese Ink Wash Drawing.
该方法构造了一个可控的物理纸模型以模拟宣纸，再在该模型上进行水墨扩散过程的模拟运行，以实现真实水墨画扩散效果的仿真。 - Graphical Simulation Algorithm for Chinese Ink Wash Drawing by Particle System
基于粒子系统的中国水墨画仿真算法 - Some say his making landscape painting simply, less artistic conception of Chinese painting, others say that landscape painting is about ink and wash, there would be no difference between landscape painting and charcoal drawing without water.
有人说他把山水画简单化了，少了中国画的意境；也有人说，山水画讲的是水墨晕章，没有了水，画的画跟素描有什么两样。 - Simulation of Diffusion Effect Based on Physically Modeling of Paper in Chinese Ink Wash Drawing
墨水很快渗入吸墨纸中。基于纸的物理建模的水墨画扩散效果仿真 - Because of different philosophy concepts, wash painting and watercolour painting have different drawing concepts, ways of thinking and taste of what is beautiful.
由于各自所依赖的传统哲学思想不同，所以导致绘画观念、思维方式和审美情趣的不同。 - The conclusion was when Chinese classical painting developed toward Tang and Song Dynasty, color that relied mainly on color approached the peak, meanwhile, it lost its major status gradually as the "ink and wash drawing" was booming.
所得出的结论是：中国古典绘画发展到唐宋时期，以色彩为主的丹青绘画在走向高峰期的同时，又因水墨画的不断兴盛而逐步丧失其在中国绘画中的主流地位。